George
Petrides
An internationally recognised sculptor working between Athens and New York, Petrides brings personal narrative, cultural heritage and digital fabrication into his practice.

The sculptor
An internationally recognised sculptor, Petrides has created forty permanent public sculptures across eight countries, with commissions including works for the White House, Tiffany & Co., and the Ecumenical Patriarchate. His work brings personal narrative and cultural heritage together through the human figure. He combines traditional sculptural methods with digital fabrication: the process begins in clay and moves through 3D scanning, digital sculpting, and custom fabrication in recycled and upcycled materials. Each work is then reworked and finished by hand. Other works are cast in bronze.
Education and background
Petrides studied Classics at Harvard College (B.A., 1985) and pursued graduate study at Stanford University (M.B.A. and M.A., 1993).
He began studying and practicing art part-time in 1996 while working in international finance, including senior roles at Lazard Frères and Donaldson, Lufkin & Jenrette. He first enrolled at the New York Studio School of Drawing, Painting and Sculpture in 2001, continued his studies over the following two decades, and received a Certificate in Sculpture in 2022. In 2017, he committed to art full-time.
Portrait and personal history
Janus of Love developed from Thalia, a portrait modelled on Petrides’ mother. He joins two versions of her head, giving each a different gaze and expression.
The surface of Janus of Love
Recycled PETG recovered from medical packaging forms the body of the sculpture. A brass coating and custom blue patina complete its hand-worked surface.
- Year
- 2026
- Height
- 88 cm, excluding base
- Diameter
- 65 cm
Editions and enquiries: Explore editions ↗ · studio@petrides.art
Wider practice
Petrides' wider practice includes public sculpture and the touring exhibition Hellenic Heads: Legacy and Renewal, currently on view in Berlin and travelling to New York in 2027. He also explores the role of sculpture in healthcare settings, including maternity and children's hospitals.